Tour Overview
for the ceramic arts
The Archie Bray Foundation for the Ceramic Arts (The Bray) is a public, nonprofit, educational institution founded in 1951 by brickmaker Archie Bray, who intended it to be "a place to make available for all who are seriously interested in any of the branches of the ceramic arts, a fine place to work." The Bray is actively committed to promoting, celebrating, and sustaining the ceramic arts through the residency program, education, gallery, ceramic materials and technology, and community engagement on a local, national, and international scale. In the words of Archie himself, "...for all who are seriously and sincerely interested in any branch of the ceramic arts, a fine place to work."
Listed on the National Register of Historic Places, The Bray is located three miles from downtown Helena, Montana, on the site of the former Western Clay Manufacturing Company. Set against the wooded foothills of the Rocky Mountains, the 26-acre former brickyard is internationally recognized as a gathering place for emerging and established ceramic artists. The nearby mountains and brick factory ruins provide a backdrop for the creative environment; more important is the dynamic arts community created by the resident artists that come to The Bray to work, share experiences, and explore new ideas.
The Archie Bray Foundation recognizes and honors the Indigenous peoples of this region on whose ancestral lands the Foundation now stands. Indigenous people have inhabited the valley in which Helena is situated for more than 12,000 years; the valley acting as a crossover for Salish, Crow, Bannock, and Blackfeet tribes among others.
We respectfully acknowledge and honor all Indigenous communities whose land we reside on in what is now known as Montana— past, present, future—and are grateful for their ongoing and vibrant presence. We believe that acknowledging and reflecting upon the contemporary lived experience and history of the Indigenous peoples here in Montana and around the world are essential steps toward creating a more equitable world. Learn more through the #HonorNativeLand initiative of the U.S. Department of Arts and Culture, and consider contributing to Indigenous-led organizations doing important work to further the health and wellness, sovereignty and self-determination of the first peoples of this land.
Stops
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Stop 1: Archie's Garden
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Stop 2: Bray Family Home
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Stop 3: North Gallery & Storage
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Stop 4: Rotunda & Sales Gallery
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Stop 6: Artworks Inside Gazebo
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Stop 7: Picnic Area & Gazebo
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Stop 8: Chicken Coop (Private Residence)
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Stop 9: Francis Senska Center for Education & Engagement
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Stop 10: Bray Odyssey Arch
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Stop 11: The Bray Box
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Stop 12: Brick Pallet
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Stop 13: Potter's Shrine
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Stop 14: Odyssey
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Stop 15: Untitled
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Stop 16: Untitled (figure)
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Stop 17: TileX
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Stop 18: Composition
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Stop 19: Block with Funnel
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Stop 20: Angel
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Stop 21: Storytellers
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Stop 22: Bray Range
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Stop 23: Untitled
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Stop 24: Brickyard Kiln
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Stop 25: Tre Arenz Memorial Dog Park
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Stop 26: Sculpture
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Stop 27: Shadow Stack
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Stop 28: Sculpture
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Stop 29: Fossil Pit
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Stop 30: DOGU 51
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Stop 31: Original Brickyard Sales Office (private residence)
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Stop 32: Untitled (tombstones)
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Stop 33: Infinity Stream
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Stop 34: Aruina
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Stop 35: Untitled (big head)
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Stop 36: Clay Business
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Stop 37: Resident Artist Summer Studios (summer only)
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Stop 38: The David & Ann Shaner Resident Artist Studio Complex
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Stop 39: Untitled (wall tiles)
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Stop 40: Untitled (exterior wall piece)
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Stop 41: Resident Center
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Stop 42: Friends
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Stop 43: Untitled
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Stop 44: Untitled (figures)
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Stop 46: Warehouse Gallery
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Stop 47: Untitled (wall tiles)
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Stop 48: Untitled (outdoor wall tiles)
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Stop 49: Clay Incubator
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Stop 50: Sculpture (head)
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Stop 51: Sculpture (throne)
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Stop 52: Chair
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Stop 53: High Tea at the Bray
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Stop 54: Untitled sculpture
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Stop 55: Untitled (tools)
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Stop 56: Beehive Kilns
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Stop 57: Brick & Tile Factory
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Stop 58: Top of the Pile